Seems like every time I turn around there is a new article on or by the founders of the Wooster Collective, Marc and Sara Schiller. I started following the site in 2004, while I was studying abroad in Melbourne, Australia.  The stencil work in Melbourne opened my eyes to street art (i had never lived in a city before or seen much street art!)… and in trying to learn more about the culture I stumbled onto the Wooster Collective.  

What I love about Marc and Sara, is that they are so into it!  They started the site back in the day with their own photos of the street art in NYC and have since built and built and built. Now they are running and editing the site (which gets hundreds of submissions a day), publishing books and editions, giving lectures, and more.  They also seem to be able to maintain this down to earth mentality - understanding and preserving the core values of the work while also allowing for and encouraging certain growth and change. The recent articles give voice to a bit of this- the debate between art vs. commerce, seeing documentation of work vs. seeing work on the street, etc.  

Take a look at a few of the articles here:

Nov 20, 2008 - Torontoist: Sara and Marc Schiller, Street Art’s Ambassadors

Nov 16, 2008 - Format Magazine: Wooster Collective Feature

Oct 10, 2008  - Paper Magazine: For the Love of Art: Marc Schiller on Commerce

and the Overspray Royal Couples profile

Blu’s street animation, MUTO is in a category of its own…


MUTO a wall-painted animation by BLU from blu on Vimeo.

Blu recently put a high quality copy of MUTO up on his site and available for download.

Robin Rhode - Untitled, Harvest 2005 video still

Tonight I’m reading Robin Rhode’s book Walk Off.

Err… maybe just looking at the images (text is in german!)

I saw Robin’s work at MOMA in 2006 and was psyched. I had a good, silent I’m-in-a-gallery chuckle and watched his films over and over.

“Working predominantly with everyday material like charcoal, chalk and paint, Rhode started out creating performances that are based on his own drawings of objects that he interacts with. He expanded and refined this practice into creating photography sequences and digital animations. These works are characterized by an interdisciplinary approach that brings aspects of performance, happening, drawing, film and photography together. Rhode often returns to his native South Africa, creating work in the streets of Johannesburg and continuously registering the traces of poverty and social inequality. An outstanding characteristic of his works is his addressing of social concerns in a playful and productive manner, incorporating these issues into his practice without simplifying or judging them.” (Robin Rhode, Wikipedia)

Robin Rhode - Board

That’s the spirit…

Beck’s 2006 video Black Tambourine- done in ASCII.

What do you get when you mix one week of blogging about Space Invader with one month of reading Tracy Kidder’s 1981 history of mini-computers, “The Soul of a New Machine”…?

A newfound interest in ASCII art.

American Standard Code for Information Exchange (ASCII), pronounced /æski/ is a character encoding based on the English Alphabet (wikipedia).

ASCII art, in the most basic of descriptions, uses text characters (letters, numbers symbols) to create graphics.  The simplest forms of this artwork have become widely recognized:

:)   equals smiley face
:(   equals frown

…. you get the idea.

There is also ANSI art, which is a bit more extensive and incorporates more letters, numbers, symbols, colors, and cursor control sequences.

I completely missed this underground computer art phenomena in it’s hay-day, and didn’t know anything about it until a friend recently gave me a whirlwind web tour of the scene.
What initially struck me was the ingenuity and creativity of the work- ASCII and ANSI art bring a surprising graphic life to otherwise cold and bland computer text.

raaarrrr….

Also, I couldn’t help but notice a few parallels between ASCII/ANSI art and artists and early graffiti artists. Crazy nicknames… crazy group names… the sometimes viral exhibition of these names… getting the work up in surprising locations… and the “underground” element of the scene.

I’m going to continue chugging along with my homework on the subject. Just in case you want to, too- there is an epic documentary about BBS that you can check out on Google video.
And for a special treat look into the Demoscene of the 80’s and 90’s. Crazy stuff!

A couple weeks ago I turned the corner on Houston and Bowery, and wham! I stumbled right into Lazarides Outsiders NY show. What a treat!

Since I’ve been on the topic of Space Invader, here are some shots from the exhibition…

Lazarides - Outsiders NY 2008  exhibition press release pdf

Lazarides - Outsiders Group Show (UK) 2008 exhibition press release pdf

When Space Invader isn’t busy proliferating the streets with his pixelated expansionist alien friends, he keeps busy with indoor activities:

mosaics:

Space Invader Mosaic

aliases: each street Invader has one matching alias Invader cast in resin

Space Invader Alias

rubik cubism: n. an avant-garde movement that appeared in the 21st century and which uses Rubik’s Cubes as an artistic medium.  The French artist know as Space Invader is at the origin of this movement. (from Space Invader Bad Men - Part 1 Exhibition Catalogue)

Rubik Cubism

sculptures:

Space Invader Rubik Sculpture

books:

Space Invader Books

invader maps:

Invasion Kathmandu

limited editions:

Space Invader Limited Editions

stickers…

Binary Code and Invasion Stickers

and shoes…!

Space Invader Shoes

Two videos from Jetset Graffiti on Space Invader:

Nothing says geek street art like Space Invader.

Spotted! Space Invader - Amsterdam

Did some reading up on the original Space Invader game, and found that not only was invasion the theme of the game, but invade was also exactly what it did to the gaming market. Released in 1978, the Space Invader game became so popular so quickly that it actually caused a shortage of Japanese 100-yen coins and warranted the opening of special gaming arcades that only housed Space Invader consoles. In 1980 Atari licensed the game and Space Invader became the first ‘killer app,’ or video game that is so sought after that the user will buy special hardware or software just to play (…the Space Invader game quadrupled sales of the Atari system).

It was at this point that video gaming really came into it’s own as a genre of entertainment and began to compete with media such as music and television. Together, Space Invader and the video game systems achieved their own invasion- in our public spaces, marketplaces, and homes.

Taking the invasion to another level is one of my favorites- French artist Space Invader. Chances are you have already seen his work and know a bit about it. The project that put Invader on the map is his epic and continual creation and installation of the pixelated Space Invader characters in cities around the world. Check out the Around the World section of his site for a list of invaded cities and lots of photos. He builds most of his pieces from tiles and then adheres them onto walls, bridges, signs, etc… For each city he meticulously maps the locations of his pieces, and then scores them for a point value- old school video game style.

Space Invader - Around the World

Space Invader - Points

Space Invader has been in action since the mid ‘90’s and he is an incredibly prolific artist… so more to come on his other projects soon!

Meanwhile- here are a couple links to background info and photos:

Swindle Magazine article by Shepard Fairey, “Space Invader”

Flickr Space Invader Group